With “El Xarlatà de la Meca (Mahoma),” the band delivers a blasphemous barrage of raw black metal that confronts Abrahamic delusion head-on, fusing hallucinatory violence with desert-born dread. Sung entirely in Catalan and driven by rusted analog production, the track is a ritualistic act of sonic desecration. La tríada dels idiotes marks Burghâsh’s first official release under their new moniker—an evolution of Burgûli, the misanthropic force active since 2012. This transition is no reinvention, but a radical intensification: a spiritual autopsy forged in hatred, sharpened by dissonance, and unflinching in its ideological stance. |
